female fronted rock; femme metal; female rock; classic rock; heavy rock; bristol rock; janey summer; melodic rock; alternative rock
New tour dates added – and a great bit of press!
Ha! This made me smile so much – I’ve been listed by one promoter as
“Big, dramatic acoustic-rock. Think somewhere between the likes of Annie Lennox and Whitesnake. Then move the goalposts further.”
You’ve gotta love a good caption 🙂
New dates confirmed for my Acoustic Autumn – here’s the final dates! Check the calendar on the homepage for door times.
A little bit of inspiration to dream
I’ve been reflecting on my goals and dreams this morning, which has been fun! Even though I’m disappointed about still not finding a guitarist to work with on my album, I’ve still got a sense of excitement about the direction my music and writing is going, and loving the new songs.
Being a bit of geek, I keep track of all this stuff on a spread sheet (yes really!), and as I scrolled down through my ideas this morning, I found the following quote from a UCB email back in February – wow, it’s totally inspired me afresh today:
Between your dream’s inspiration and its manifestation, there’s going to be a lot of perspiration. As every new parent finds out-it’s much harder having and raising a baby than conceiving one. But if you have the passion for your dream, the price tag won’t stop you. You’ll get up every morning, draw on God’s grace and take one more step in the direction of the thing you know God put you on this earth to do.
Loving it 🙂
My Inspirations – David Coverdale
Yes, it’s the king of hair rock, David Coverdale’s turn in the spotlight of my inspirations this week.
I literally cannot tell you how many times I span my vinyl ‘Come An’ Get It‘ album; signing along with passion and heart yet coupled with pangs of awkward guilt at the content, but loving the absurd cheek of it all the same.
David Coverdale as frontman for Whitesnake was/is unashamedly sexual in his image and lyrics. Ordinarily that would put me off; that’s the main reason I find AC/DC so objectionable (there are other reasons too!), but in the case of Coverdale / Whitesnake, I just couldn’t write it off; I loved that voice, the blues-influences riffs and melodies, Bernie Marsden’s singing guitars – it all had me well and truly hooked.
Oh man did I ever face ridicule for it from my feminist friends; the assumption being that any intelligent woman couldn’t possibly take Whitesnake seriously. The thing is I don’t think Coverdale himself ever totally took Whitesnake seriously. He’s quote as saying ‘a lot of my songs are firmly tongue in cheek.’ Thinking about it, that comment could be tongue in cheek in itself!
I preferred his edgier early stuff, and so my enthusiasm started fade when they moved into the fluffy poodle-haired synth-soft-rock stage in the mid/late 80s with songs like ‘Is this love’ and the remix of ‘Here I go again’.
Probably my all-time favourite song – one that couldn’t in any way be seen as being sexual/sexist – is Child Of Babylon. In my opinion it still stands its ground as an epic classic rock song, brilliantly arranged and performed, and I would love to cover this one day, either live or on a record, and put all those hours of bedroom singing practise to the test.
Lyrics – Stranded
Working on some other things today, I visited my Soundcloud and noticed a comment on ‘Stranded’ saying “Wish I could read the lyrics.”
Well, I am to please – here they are!
Stranded is a bit of a tongue-in-cheek love-sick teen-angsty kind of a song! It was written about the ending of a relationship that was supposed to be ‘just for fun’, but after a while, surprise – I realised I’d got feelings for the guy, and it left me hanging in mid air wondering if he felt the same way. I’d be willing to bet I’m not the only one who’s ever gone through that scenario! Thankfully I’m older and wiser now 🙂
My inspirations – Ronnie James Dio
The Urban Dictionary defines a ‘legend’ as “someone or something whose coolness extends beyond all space and time.” That, my friends, totally sums up Ronnie James Dio.
According to the BBC’s review of ‘Mightier Than The Sword‘ Ronnie James Dio was “a genius, a gentleman and perhaps [rock and metal’s] greatest voice.”
Sadly, I never met they guy to know whether or not he was a gentleman, all I know was that growing up I was simply awestruck by the quality and power of his voice.
I first discovered Dio in the Holy Diver era. At that time Rainbow was headed up by Joe Lynn Turner and I didn’t learn until much later that Dio had previously fronted Ritchie Blackmore’s Rainbow as well as Black Sabbath. So my formative memories of Dio were from songs like this:
And of course wishing I could sing like him!
I’ve had the great pleasure of seeing him live twice and it was probably the closest I’ve ever got to hero worship! He was (and still is) one of my most loved and enduring inspirations, not just because of his voice, but also because he simply kept on and on writing and performing really great songs; powerful, passionate melodic and thoughtful. That’s where his main inspiration lies for me; the consistent quality of his output. He was unquestionably someone who discovered their God-given gift and lived it to the max.
A few years back I gigged at the Cheese and Grain in Frome with my old band. It was a great venue, one of the few times we had a decent sound guy; this enormous but mellow dreadlocked American guy with a southern Californian drawl. We sound-checked with Holy Diver and I’ll never forget his reaction “WOOOAH Holy Diver, I was NOT expected that. That was totally aaaawesome”. Yup, you got that right.
My inspirations – Paul Rodgers
I first discovered the delights of Paul Rodgers’ voice in the late 80s when my friend decided to clear out his old album collection; like a magpie I swooped in for some shiny gems and there in the midst was a couple diamonds:
- Free: Fire and Water
- Bad Company: Bad Company
Stunning stuff. I lost count of the number of hours and plays those records got, whilst I sang along with my hairbrush in the mirror, completely lost in the music.
I raved to my friend about how awesome Free were, and scrawled the band name over my jeans in cheap biro just to assert how much I loved them. And of course a big part of that was Paul Rodgers. The voice, the hair and the tight cords all came together into the perfect rock frontman bundle.
Someone once described Paul Rodgers’ voice as ‘gravel and honey’, which I think’s a pretty much perfect description! He has got the smoothest gritty voice I’ve ever heard and I had the great pleasure of seeing him live for the first time only a couple years ago at Bournemouth. Vocally his performance didn’t disappoint; literally didn’t miss a note.
Although I don’t listen too often to the old stuff any more, as soon as ‘My Brother Jake’ comes on, I suddenly realise my brain has retained all that conditioning from years ago and I find myself still recalling all the words. Mr Big, Fire and water, Moving on, Ready for love, The hunter, I’ll be creeping; are all still filed away in my mental music library.
I still have huge respect and admiration for his passion and achievements, and without a doubt Paul Rodgers was one of my earliest and strongest vocal influences from a very young age.
Janey Summer 