Yes, it’s the king of hair rock, David Coverdale’s turn in the spotlight of my inspirations this week.
I literally cannot tell you how many times I span my vinyl ‘Come An’ Get It‘ album; signing along with passion and heart yet coupled with pangs of awkward guilt at the content, but loving the absurd cheek of it all the same.
David Coverdale as frontman for Whitesnake was/is unashamedly sexual in his image and lyrics. Ordinarily that would put me off; that’s the main reason I find AC/DC so objectionable (there are other reasons too!), but in the case of Coverdale / Whitesnake, I just couldn’t write it off; I loved that voice, the blues-influences riffs and melodies, Bernie Marsden’s singing guitars – it all had me well and truly hooked.
Oh man did I ever face ridicule for it from my feminist friends; the assumption being that any intelligent woman couldn’t possibly take Whitesnake seriously. The thing is I don’t think Coverdale himself ever totally took Whitesnake seriously. He’s quote as saying ‘a lot of my songs are firmly tongue in cheek.’ Thinking about it, that comment could be tongue in cheek in itself!
I preferred his edgier early stuff, and so my enthusiasm started fade when they moved into the fluffy poodle-haired synth-soft-rock stage in the mid/late 80s with songs like ‘Is this love’ and the remix of ‘Here I go again’.
Probably my all-time favourite song – one that couldn’t in any way be seen as being sexual/sexist – is Child Of Babylon. In my opinion it still stands its ground as an epic classic rock song, brilliantly arranged and performed, and I would love to cover this one day, either live or on a record, and put all those hours of bedroom singing practise to the test.
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